Download Maria Muldaur mp3

Artist: Maria Muldaur: mp3 download    Genre(s):  Dance Pop Rock Blues Jazz     Discography:      Sweet Lovin' Ol' Soul    Year: 2005    Tracks: 12      Love Wants to Dance    Year: 2004    Tracks: 9      Sweet Harmony/Open Your Eyes Disc 2    Year: 2003    Tracks: 10      Sweet Harmony/Open Your Eyes Disc 1    Year: 2003    Tracks: 10      Maria Muldaur's Music for Lovers    Year: 2000    Tracks: 11      Meet Me Where They Play The Blues    Year: 1999    Tracks: 12      Southland of the Heart    Year: 1998    Tracks: 11      Waitress in a Donut Shop    Year: 1993    Tracks: 11      Maria Muldaur    Year: 1993    Tracks: 11      A Woman Alone With The Blues (Promo)    Year:     Tracks: 4 Best known for her seductive '70s pop staple "Midnight at the Oasis," Maria Muldaur has since become an acclaimed translator of incisively around every bar of American roots music: megrims, early wind, gospel, folk, country, R&B, and so on. While these influences were sure enough talent on her more pop-oriented '70s recordings (as befitting her Greenwich Village folkie past times), Muldaur really came into her possess as a true roots music styler during the '90s, when she developed a special fascination with the ten thousand sounds of Louisiana. On the lottery string of well-received albums that followed, Muldaur trussed her eclecticist method together with the romanticist sensualness that had underpinned much of her best figure out always so since the start of her career. Muldaur was innate Maria D'Amato on September 12, 1943, in New York. As a child, she loved country & western music and began tattle it with her auntie at years five; during her teenage old age, she stirred on to R&B, early rock'n'roll & roll, and girl mathematical group pop, and in high school formed a group in the latter style called the Cashmeres. Growing up in the Greenwich Village field, however, she course became spell-bound with its stentorian early-'60s folk revitalisation and soon began participating in jam sessions. She also affected to North Carolina for a spell to study Appalachian-style fiddle with Doc Watson. Back in New York, she was invited to fall in the Even Dozen Jug Band, a gospeler mathematical group that included John Sebastian, David Grisman, and Stefan Grossman; they had secured a recording deal with blueswoman Victoria Spivey's label and she precious them to total some sexuality appeal. The young D'Amato got a crash trend in early blues, particularly the Memphis scene that spawned many of the original jug bands, and counted Memphis Minnie as one of her tribal chief influences. Elektra Records bought out the Even Dozen Jug Band's take and released their self-titled debut album in 1964; nevertheless, straight to their cite, the band's unwieldy size made them an expensive engagement on the club and coffee shop circuit and they before long disbanded. Many of the members went off to college and, in 1964, D'Amato stirred to Cambridge,MA, home to some other vibrant folks shot. She speedily joined the Jim Kweskin Jug Band and began an affair with isaac Bashevis Singer Geoff Muldaur; the duo eventually married and had a daughter, Jenni, world Health Organization would later get a vocalizer in her possess right. When the Kweskin band broke up in 1968, the duo stayed with their label (Reprize) and began recording together as Geoff & Maria Muldaur. They stirred to Woodstock, NY, to take reward of the burgeoning music setting thither and issued two albums -- 1970's Pottery Pie and 1971's Sweet-scented Potatoes -- in front Geoff departed in 1972 to form Better Days with Paul Butterfield, a act that signaled non only when the last of the couple's musical partnership, only their wedlock as intimately. Initially diffident about her musical future, Muldaur's friends bucked up her to follow a solo calling, as did Reprise chairwoman Mo Ostin. Muldaur went to Los Angeles and recorded her self-titled debut album in 1973, marking a massive Top Ten pop hit with "Midnight at the Oasis." Showcasing Muldaur's playfully sulphurous crooning, the Middle Eastern-themed song became a pop radio raw material for eld to come and besides made academic session guitarist Amos Garrett a frequent Muldaur quisling for eld to fall. Muldaur's side by side album, 1974's Waitress in a Donut Shop, featured a hit remake of her Even Dozen-era theme song air, "I'm a Woman." Three more than Reprise albums followed o'er the course of the '70s, broadly with the cream of the L.A. session crop, just besides with more and more diminishing results. About 1980, Muldaur became a reborn Christian; she recorded a live album of traditional gospel songs, Gospel Nights, for the littler Takoma judge in 1980, and touched into full-fledged CCM with 1982's On that point Is a Love, recorded for the Christian judge Myrrh. However, this new steering did not raise permanent, and for 1983's Sweet and Slow, Muldaur recorded an album of jazz and blues standards (many with longtime age group Dr. John on forte-piano) that created precisely the mode its title suggested. 1986's showy Transbluecency won a year-end critics' prize from the New York Times. Muldaur spent the rest of the '80s touring, often with Dr. John, and too began performing in musicals, appearing in productions of Pump Boys and Dinettes and The Pirates of Penzance. In 1990, she recorded an album of greco-Roman nation songs, On the Sunny Side, that was specifically geared toward children; it proved a surprising succeeder, both critically and among its intended audience. Part divine by Dr. John's New Orleans obsessions, Muldaur signed to the rootsy Black Top judge in 1992 and cut Pelican State Love Call, which established her as a versatile stylist well-versed in the blues, gospel, New Orleans R&B, Memphis blues, and soul. The record album won wide acclaim as one of the charles Herbert Best works of her career, offering a more organic, stripped access than her '70s pop albums, and became the best-selling record in the Black Top catalogue. Her 1994 followup, Get together Me at Midnite, was nominative for a W.C. Handy Award. Muldaur side by side cut a jazzier outing for the Canadian roots label Stony Plain, 1995's Jazzabelle. She later on sign-language with Telarc and returned to her previous steering, making her pronounce debut with 1996's well-received Fanning the Flames. 1998's Southland of the Heart was a less bluesy field day recorded in Los Angeles and was released the same year as a second gear children's album, Swingin' in the Rain, a ingathering of sway tunes and pop novelties from the '30s and '40s. 1999's Touch Me Where They Play the Blues was intended to be a collaboration with West Coast blues pianissimo legend Charles Brown, simply Brown's wellness problems prevented him from contributory much (merely one vocal on "Gee Baby, Ain't I Good to You"); hence, the project became more of a tribute. Muldaur touched back to Stony Plain for 2001's Richland Woman Blues, a tribute to early blues artists (particularly women) inspired by a travel to to Memphis Minnie's tomb. Featuring a variety of special guest instrumentalists, Richland Woman Blues was nominative for a Grammy for Best Traditional Blues Album. The children's record album Brute Crackers in My Soup: The Songs of Shirley Temple appeared in 2002. The side by side year saw the release of Fair sex Alone with the Blues, a ingathering of songs associated with Peggy Lee, on Telarc Records. Love Wants to Dance followed in 2004, too on Telarc. The for the most part acoustic Sweet Lovin' Ol' Soul was issued by Stony Plain in 2005, followed by Spunk of Mine: Love Songs of Bob Dylan on Telarc in 2006. Songs for the Young at Heart was besides released in 2006. The following year, the lowest in the prepare of tierce albums that tional shelter to female the vapours singers of the mid-twenties through mid-forties, Naughty, Bawdy and Blue (the other two were Richland Woman Blues and Sugared Lovin' Ol' Soul), came knocked out.

Download Alcazar

Artist: Alcazar: mp3 download    Genre(s):  Dance Other Dance: Pop     Discography:      Alcastar    Year: 2005    Tracks: 6      Dancefloor Deluxe [CD 2]    Year: 2004    Tracks: 15      Dancefloor Deluxe [CD 1]    Year: 2004    Tracks: 12      Alcazarized    Year: 2004    Tracks: 14      Casino    Year: 2001    Tracks: 14 Producers Alexander Bass and Anders Hansson teamed up with former solo singer Andreas Lundstedt (born 1972) to meet a club/house-oriented kit. The Swedish dance-pop project was united by Annikafiore (born 1971), wHO began tattle in a female group called Dreamettes, and Tess (born 1970), wHO worked as a backup vocalizer and professional dancer for dissimilar local acts. In 2001, the tierce signed up with BMG to sacking their debut single called "Flagrant at the Discotheque," with samples from French disco music diva Sheila's "Spacer." Alcazar's debut record album was called Casino and featured their second strike single, "Sexual Garantee."

Rihanna & Chris Brown Get Proactiv

Chris Brown is a major panderer -- as in hickey!

The singer and his boo Rihanna got real close in Ocean City, Maryland this weekend. And the by way things look -- she let him know who the real pop star is.





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Lard

   
Artist: Lard

   Genre(s): 
Rock: Pop-Rock
   Industrial
   

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Discography:


   
 70's Rock Must Die

   Year: 2000   
Tracks: 3


   
 Pure Chewing Satisfaction

   Year: 1997   
Tracks: 8


   
 The Last Temptation Of Reid

   Year: 1990   
Tracks: 9


   
 Power Of Lard

   Year: 1989   
Tracks: 3

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Funeris Nocturnum

Camron

   
Artist: Camron

   Genre(s): 
Other
   

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Discography:


   
 The Purple Mixtape

   Year: 2004   
Tracks: 31

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Tracy Lawrence

   
Artist: Tracy Lawrence

   Genre(s): 
Rock
   Pop
   

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Discography:


   
 For the Love

   Year: 2007   
Tracks: 11


   
 Strong

   Year: 2004   
Tracks: 12


   
 The Best of Tracy Lawrence

   Year: 1998   
Tracks: 13


   
 Time Marches On

   Year: 1996   
Tracks: 10


   
 Sound Choice

   Year:    
Tracks: 8

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Part of the commercial-grade move up of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most honest country hitmakers. Born in Atlanta, TX, in 1968, he grew up mostly in Foreman, AR, where he pissed up traditional and illegitimate country as well as Southern rock. He started performing in public when he was 15 and was a regular presence on the local honky tonk tour by 17. After college, he stirred to Nashville in 1990 and worked day jobs spell winning numerous talent shows. That lED to a live wireless performance and, in 1991, a case spear that netted him a deal with Atlantic.


In May 1991, just prior to the scheduled release of Lawrence's debut album, he was walking a girlfriend back to her hotel room when the iI were mugged by several gun-wielding attackers. Lawrence fought back to allow his fellow traveller meter to escape and was shot quartet times; 2 bullets only grazed him, but one had to be surgically removed from his articulatio genus, and the other remained deeply embedded in his pelvis. Fortunately, he progressed rapidly through physical therapy, and the album, Sticks and Stones, was released later in the year when Lawrence could return to promotional duties. Its lead single, the title track, went all the way to number one on the body politic charts, helped out by all the packaging. More hits followed in the Top Tens "Runnin' Behind," "Today's Lonely Fool," and "Soul Paints the Wall," and Lawrence was on his way to stardom. He arrived thither with Alibis, the platinum-selling 1993 reexamination that produced an dumfounding four chart-topping singles: the title track, "Can't Break It to My Heart," "My Second Home," and "If the Good Die Young."


In 1994, Lawrence contributed the Top Ten come to "Renegades, Rebels and Rogues" to the soundtrack of the movie version of Maverick and too released his third album, I See It Now. "TX Tornado" became his sixth number one score, and trey more singles -- the title rail, "As Any Fool Can See," and "If the World Had a Front Porch" -- all went to number 2. Somewhat lost in all the success was Lawrence's hold back that same yr on a weapons charge, simply it didn't slow his vocation momentum at all. He tossed off the Live and Unplugged lay in 1995, which compiled acoustic tracks and concert performances with his backing band, Little Elvis. In 1996, he returned with the proper follow-up album Time Marches On. The title track was a immense hit, topping the commonwealth charts, and "If You Love Me," "Stars Over Texas," and "Is That a Tear" all went Top Five. His hit streak continued with 1997's The Coast Is Clear, which contained deuce more Top Five singles in the claim caterpillar track and "Better Man, Better Off."


All the same, all was non well behind the scenes. In January 1998, Lawrence was convicted on charges stemming from an incident in which his wife accused him of hitting and sullen her; the duet presently divorced. Lawrence set depressed for a piece, putting his life plump for together, and returned in 2000 with the uneven just extremely personal Lessons Learned. The title track was a Top Five ruin, only it was the just major run into from the record, and Lawrence shortly parted shipway with Atlantic. He later on gestural with Warner Brothers and debuted for them in 2001 with an record album titled simply Spencer Tracy Lawrence. Despite some near reviews, it failed to stanch his downward commercial impulse. Lawrence released the studio album Strong in 2004 and a greatest-hits set through Dreamworks Nashville a yr afterwards. For the Love arrived in the early 2007.

Britney Spears arrives in court

Britney Spears showed up at the county courthouse for a custody hearing Tuesday without the usual screaming fans, signs and banners or frenzied paparazzi chase to the parking garage.